Line 6 tubetone manual

This particular sound is based on Channel 1 of the best AC 15 we could find. Once again, the original amp had only a single tone control — a treble cut. We faithfully modeled that and then slipped in some post- Tubetone Bass and Mid contouring. Brit Classic - Modeled after the infamous Marshall Plexi — coveted by tone connoisseurs the world over. By this time ca. See, we told you we spent some time looking into all this stuff. All this mucking about added up to create a tone forever linked with Rock Guitar.

In order to get a crunch sound out of a Plexi you would likely crank up the input volume and the tone controls to 10! One of the biggest differences here is that the tone controls are located after the preamp tubes. This is the metal sound Marshall made famous. Of course, you can always pump up the drive and rage When used at its highest drive setting, the Dual Rectifier gives you a lead sound reminiscent of the early Boogies with the characteristic nasal midrange push, but with even more drive and presence than the early Mark I Boogies.

Try your Santana licks here. With high drive settings, you can scoop the mids and crank the bottom end for some great Seattle grunge sounds.

The Soldano sound is intensely overdriven, and also has EQ after the preamp distortion. This oversaturated tone is well-suited to thrash metal and grunge bands, but has also been used more subtly by artists like Eric Clapton. Flextone Clean - To create this Amp Model, we essentially grafted the top end of a JC onto the bottom end of a JTM to give you you the crisp and clear top end of a solid state amp, but with a rich, satisfying tube amp-style bottom.

Not too clean, but not too raging. Prices include VAT. Pros Gives the AxSys a new lease of life, including a cosmetic upgrade.

Additional amp and speaker cab models with numerous improvements. New effects and improved performance controls. Cons The amp still doesn't look as pretty as the new Flextone models. Summary The AxSys was a remarkable amplifier, and the ability to upgrade it as you would a computer or piece of software should ensure that it remains at the cutting edge of guitar technology. Previous article Next article. You may login with either your assigned username or your e-mail address.

The password field is case sensitive. Section g, 34 C. Part Education records directly related to a student maintained by an educational institution or party acting on its behalf, such as grades, transcripts, class lists, student schedules, student identification codes, student financial information, or student disciplinary records.

Profile reflecting a person's preferences, characteristics, psychological trends, predispositions, behavior, attitudes, intelligence, abilities, and aptitudes. We obtain the categories of personal information listed above from the following categories of sources:. We may use or disclose the personal information we collect for one or more of the following business purposes:.

We will not collect additional categories of personal information or use the personal information we collected for materially different, unrelated, or incompatible purposes without providing you notice.

We may disclose your personal information to a third party for a business purpose. When we disclose personal information for a business purpose, we enter a contract that describes the purpose and requires the recipient to both keep that personal information confidential and not use it for any purpose except performing the contract. In the preceding twelve 12 months, we have disclosed the following categories of personal information for a business purpose:. Category A: Identifiers. Category B: California Customer Records personal information categories.

Category C: Protected classification characteristics under California or federal law. We disclose your personal information for a business purpose to the following categories of third parties:.

The CCPA provides consumers California residents with specific rights regarding their personal information. This section describes your CCPA rights and explains how to exercise those rights. You have the right to request that we disclose certain information to you about our collection and use of your personal information over the past 12 months.

Once we receive and confirm your verifiable consumer request, if specified, we will disclose to you:. You have the right to request that we delete any of your personal information that we collected from you and retained, subject to certain exceptions.

Once we receive and confirm your verifiable consumer request, we will delete and direct our service providers to delete your personal information from our records, unless an exception applies. We may deny your deletion request if retaining the information is necessary for us or our service providers to:. To exercise the access, data portability, and deletion rights described above, please submit a verifiable consumer request to us by either:.

Only you or a person registered with the California Secretary of State that you authorize to act on your behalf, may make a verifiable consumer request related to your personal information. You may also make a verifiable consumer request on behalf of your minor child. You may only make a verifiable consumer request for access or data portability twice within a month period.

The verifiable consumer request must:. We cannot respond to your request or provide you with personal information if we cannot verify your identity or authority to make the request and confirm the personal information relates to you.

Making a verifiable consumer request does not require you to create an account with us. We will only use personal information provided in a verifiable consumer request to verify the requestor's identity or authority to make the request. We endeavor to respond to a verifiable consumer request within 45 days of its receipt.

If we require more time up to 90 days , we will inform you of the reason and extension period in writing. If you have an account with us, we will deliver our written response to that account. If you do not have an account with us, we will deliver our written response by mail or electronically, at your option. Any disclosures we provide will only cover the month period preceding the verifiable consumer request's receipt.

The response we provide will also explain the reasons we cannot comply with a request, if applicable. For data portability requests, we will select a format to provide your personal information that is readily useable and should allow you to transmit the information from one entity to another entity without hindrance. We do not charge a fee to process or respond to your verifiable consumer request unless it is excessive, repetitive, or manifestly unfounded.

If we determine that the request warrants a fee, we will tell you why we made that decision and provide you with a cost estimate before completing your request. We will not discriminate against you for exercising any of your CCPA rights. Unless permitted by the CCPA, we will not:. If you feel that YGG is not abiding by its posted privacy policy, please contact YGG at privacypolicy yamahaguitargroup. Newsletter Subscription Information - From time to time, we would like to provide you with information in the form of electronic newsletters.

You may subscribe to receive electronic newsletters and information, without registering a product, by submitting your email address, phone number, or other relevant information at which you wish to be contacted. We may place email links on the Website to allow you to contact us directly.

The Personal Information you provide in these email links is used to respond directly to your questions or comments. We may also file your comments to improve the Website, or review and discard the Personal Information. All information, other than Personal Information, that you send to YGG using these email links will not be considered or treated as confidential information. Do not send us any information, ideas, suggestions, proposals, or comments that you consider confidential or that you want to be treated as confidential.

If you opt-in to receiving direct marketing communications from us, then we may use your Personal Information to send you marketing-related correspondence including emails related to YGG products or apps.

We may change this Privacy Policy from time to time as we add new products and apps, as we improve our current offerings, and as technologies and laws change. Any changes will become effective upon our posting of the revised Privacy Policy on our affected websites. We will provide notice to you if these changes are material and, where required by applicable law, we will obtain your consent. Several instances of extreme overheating and a risk of fire presented by the Relay G10T wireless transmitter have been reported since the product was introduced in All instances of overheating reportedly occurred during charging.

Consumer Product Safety Commission. The recall to repair is designed to prevent overheating and the risk of fire, and simply requires users to install a firmware update. The latest G10T firmware version is 1. Please be sure to update your transmitter if you are not on this latest version. It takes about five minutes to complete this process. Le processus ne dure que cinq minutes environ.

Diese stellen ein Brandrisiko dar. Die aktuelle G10T-Firmwareversion ist 1. Tutti i casi di surriscaldamento segnalati si riferiscono alla fase di ricarica. Il processo di aggiornamento richiede circa cinque minuti. El proceso se realiza en unos cinco minutos.

Sign In Username. Livesound StageSource. Flextone The Flextone family amps were an evolution of the AxSys concept. The amps in the Flextone had guitarist-friendly controls for dialing in amp tones and effects settings. The Flextone was a watt, 1x12 mono combo amp. Flextone Plus The Flextone Plus was a watt, 1x12 combo amp with an extra power amp for powering an optional Flextone Cab - with the cab connected the amp converted to stereo operation at watts per side.

Flextone Cab The Flextone Cab was a 1x12 extension speaker cabinet designed to provide stereo operation when used with a Flextone Plus amplifier. FB4 A 4-button foot controller that provided essential channel switching for early Line 6 gear.

Amp Farm has been used on countless platinum recordings since its inception. Flextone HD The Flextone HD was a higher power amp head addition to the Flextone amplifier family, boasting a monstrous watt stereo power section. Line 6 S Cab A 2x12 extension speaker cabinet that offered mono or stereo output for Flextone amplifiers. POD The original POD was a revolutionary, kidney bean-shaped "desktop" modeling device for guitarists, offering a set of 16 amplifier models, 16 effects, and a selection of speaker cabs.

It provided outputs for connecting directly to recording equipment, an external amplifier or PA system, or to headphones for late night practicing. Spider The Spider was a watt watts per channel stereo, 2x10 combo addition to the Spider amp family. EX1 The EX1 was an optional expression pedal controller designed to work with numerous Line 6 products. MM4 A member of the "Stompbox Modeler" family of effects pedals, the MM4 Modulation Modeler features user-programmable presets, external pedal control, 16 models of coveted modulation-based guitar effects pedals such as phase shifters, flangers, chorus, vibrato, ring modulator and more.

Line 6 T Cab In the tradition of British "stack" amp designs, the T was the 4x12 speaker cab for use with Line 6 amplifiers. The T featured a slanted front, designed to be used as a single cab, or mounted on top of a Line 6 B for a full stack.

Flextone II The Flextone II watt, 1x12 mono combo amp was the 2nd-generation Flextone, which added additional and improved amp models, editing capabilities and power amp, XLR and external speaker outs. POD 2. Spider The Spider was a watt watts per channel stereo, 2x12 combo addition to the Spider amp family.

DM4 A member of the "Stompbox Modeler" family of effects pedals, the DM4 Distortion Modeler features user-programmable presets, external pedal control, 16 models of classic distortions, overdrives, fuzzes, boosts and more. Flextone II Plus The Flextone II Plus was a watt, 1x12 combo amp with unique Dual Mode direct outputs, and included an extra power amp for powering an optional Flextone Cab - with the cab connected the amp converted to stereo operation at watts per side.

It also included the unique Dual Mode direct outputs as well as speaker outputs for connecting external speaker cabinets. FM4 A member of the "Stompbox Modeler" family of effects pedals, the FM4 Filter Modeler features user-programmable presets, external pedal control, 16 models of other-worldly effects such as oscillating filters, envelope followers, synth strings and more.

Vetta Cab The Vetta Cab was an open-back, 2x12 extension speaker cabinet designed for use with Vetta amplifiers. Mod Pro The Mod Pro was a studio-friendly, rack mount effects unit, offering models of highly sought after phase shifter, flanger, chorus and other modulation-based effects units.

Vetta Combo The Vetta amplifier was designed as the Line 6 flagship, no-compromise guitar system that leveraged an entirety new generation of Line 6 modeling. GuitarPort GuitarPort brought the sonic power of the Line 6 POD to the computer, featuring a USB audio interface, software editor-librarian application and access to the GuitarPort Online website for a huge tone library and optional subscription-based lessons with classic songs of numerous styles.

Duoverb Combo The Duoverb family of amplifiers offered a total of 16 classic amp models, simultaneous dual amp capability, stereo operation, FX loop, user programmable presets, FBV foot controller support, and more.

It offered a backlit display, a smaller set of footswitches and one expression pedal. USB connectivity was also added, allowing for its use as a computer audio interface as well as for upcoming Line 6 software. The Flextone Duo is a stereo combo, feeding 50 watts per side into 10 inch Eminence speakers.

Line 6 uses Eminence speakers rather than more traditional "guitar voiced" speakers like Celestions because they have a relatively flat frequency response.

This means the digital modeling alone has the most effect on tone, with no distortion from the speakers or the power amp section, which also means you get the same tone at practice volumes as you do at stage levels. The fact that this amp uses digital modeling to produce its tones also means that the engineers were able to come up with some interesting hybrids- one grafts the top of a JC onto the bottom of a Marshall JTM, one samples a Dumble combo and adds some digital tweaks, one combines the tones of several different lead amps and places the EQ post-gain, and the final is a layered model that superimposes a traditional "clean" amp and a modern high-gain amplifier, where the user tweaks the pre-gain to determine which proportions of the two models are used.

Finally, there's a model of a 's Arbiter Fuzz Face. Great amplifier tones aren't the only thing present on the Flextone Duo, however- Line 6 has included a plethora of very transparent, very usable stereo effects. There's a built-in, user-defeatable noise gate, reverb, compressor, tremelo, two different choruses, two different flangers, rotary speaker, and delay.

Although the noise gate isn't "tweakable", it's either "on" or "off", it's quite effective at reducing hiss and noise at loud and even not-so-loud volumes. Line 6's approach to reverb is unique as well; in those models of amplifiers where the original amp had a spring reverb like the Fender Bassman , you get a model of a spring reverb- in models of amps without reverb like the Marshall Plexi , you get a digital room reverb.

The compressor is adjustable from 1. The tremolo is modeled after the classic Fender tremelo. The first chorus is square-wave modulated, like a typical "rack" chorus. The second chorus is sine-wave modulated, and modeled after the classic Roland CE The first flanger is subtle, with no pre-delay.

The second flanger is inverted, with a deeper range. The rotary speaker has two fixed speeds, slow and fast- a nice touch from the engineers at Line 6 is that when going from the slow to the fast speed or conversely, from fast to slow the speed gradually increases or decreases just like a real Leslie would.

There are actually two independent delays built into the Flextone; each with a full three seconds of delay. Why two independent delays? When switching from one amp channel to another for example, pre-verse or post-solo , the delay tails smoothly across the change rather than just abrubtly dropping off. The chorus, flanger, and rotary speaker on the Flextone Duo are stereo, and can be used individually, or in combination with the digital delay. The compressor can also be used in combination with the digital delay.

The Flextone Duo, as shipped, has four programmable channels. These can be used to store any combination of amplifier model setting, EQ, gain, channel volume, effect type, and effect parameters.